Suck'em if they can't take a poke! ™

Wednesday, October 11, 2017

Liked on YouTube: David Bowie - Saviour Machine (1970) HQ...

Liked on YouTube: David Bowie - Saviour Machine (1970) HQ https://youtu.be/FQ83XNaionw

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Tuesday, October 10, 2017

David Bowie - Lazarus (widescreen) HD by All About Bowie

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Baal (TV 1982) by Riari

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Monday, October 09, 2017

ÜBERMENSCH by JESPER DALGAARD

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David Bowie - Lazarus (widescreen) HD from All About Bowie on...

David Bowie - Lazarus (widescreen) HD from All About Bowie on Vimeo.

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SO MUCH LIGHT - “Full Body Mirror” (Music Video) by...

SO MUCH LIGHT - “Full Body Mirror” (Music Video) by Jane Qian

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Sunday, October 08, 2017

Kunstglaser | A Breakwater Original by Breakwater Studios Ltd.

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DJ Hell - Anything Anytime (OFFICIAL Video) by Gigolo Records

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Saturday, October 07, 2017

Baal (TV 1982) from Riari on Vimeo.

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ÜBERMENSCH from JESPER DALGAARD on Vimeo.Two transient young...

ÜBERMENSCH from JESPER DALGAARD on Vimeo.

Two transient young men break into an empty church by the sea to form a blood pact: to get rid of their childhood demons and escape the cycle of anxiety and authorities. “It’s not goth to be afraid of darkness”, they agree.

SHORT DOCUMENTARY

CAST: DAMIEN TWIDE & KITI ANDERSEN
SCREAMING NAKED: http://ift.tt/2x22KBn

WRITER & DIRECTOR: JESPER DALGAARD ( jesperdalgaard.com )
PRODUCER: DANIEL MÜHLENDORPH
CINEMATOGRAPHER: VALDEMAR LEISNER ( valdemarleisner.com )
EDITOR: DENNIZ GÖL BERTELSEN
SOUND DESIGNER: MATHIAS DEHN MIDDELHART
COMPOSER: JOHAN CARØE
PRODUCTION DESIGNER: SILJE AUNE DAMMEN

Won Special Mention / New Talent Award at Sheffield Doc/Fest and Best Danish Short Film at OFF17

teaser: vimeo.com/231046759

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SO MUCH LIGHT - “Full Body Mirror” (Music Video)...

SO MUCH LIGHT - “Full Body Mirror” (Music Video) from Jane Qian on Vimeo.

SO MUCH LIGHT - “Full Body Mirror”

MGMT: ANTI- Records/EPITAPH
Check out more music at: somuchlight.com

Starring
So Much Light’s Damien Verrett

Director: Jane Qian
Cinematographer: Jake Bianco

Special Thanks:
Hope Selevan
Green Glow Films
Stephen Mallett
Brooklynn Reeves
Panavision
Mike Carter

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Kunstglaser | A Breakwater Original from Breakwater Studios Ltd....

Kunstglaser | A Breakwater Original from Breakwater Studios Ltd. on Vimeo.

A Breakwater Original

Norbert Sattler is a master stained glass craftsman in Pleasantville, Nova Scotia.

Starring Norbert Sattler & Sue Obata

Directed by Ben Proudfoot | ben@breakwaterstudios.com
Cinematography by David Bolen | @davidbolen
Edited by Tim Johnson
Music Composed, Orchestrated & Conducted by Nicholas Jacobson-Larson
Post-Production Supervision by David Nieman
Color by Stephen Derluguian
Sound Re-recording by Sean Higgins
Supervising Sound Editing by Mark Camperell, MPSE
Produced by Ben Proudfoot, Jeremy Lambert & Richard Graham

Score Preparation by Alessandro Saini
Music Mixed by Brad Haehnel
Music Contractor - Peter Rotter
German Lyrics by Ryan Wagner
Dialogue Editing by Jason Krane, MPSE
Foley Artist - Tara Blume
Sound Effects Editing by Eric Wegener
Post Production Sound Editing Provided by Empty Sea Audio
Steadicam Operator - Patrick Doyle
Handlettered Titles by Bonnie Ebbs

Featuring the Art of
Sue Obata
Craig Roubadoux
Juergen Reipka
Wayne Boucher

Special Thanks
Glashütte Lamberts
Louise Pentz
Michael Risley
Grace Zahrah
Gordon Proudfoot
Madine VanderPlaat
Fabian Sattler
Helga Sattler
Sandy Sattler
Holy Family Parish in Amherst, Nova Scotia

For Breakwater Studios
J. Taylor Brown
Gabe Godoi
Brenna Malta
Monica Salazar
Clarisse Wiedem
Terry Quennell

Shot on Arri Alexa Mini and Angenieux Optimo

Made with Love by Breakwater Studios Ltd. in Halifax, Nova Scotia and Los Feliz, California

breakwaterstudios.com | @breakwaterstud

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DJ Hell - Anything Anytime (OFFICIAL Video) from Gigolo Records...

DJ Hell - Anything Anytime (OFFICIAL Video) from Gigolo Records on Vimeo.

DJ Hell - Anything Anytime (OFFICIAL Video)
Concept & Idea by DJ Hell
A Film By Gringo Carida

Buy Anything Anytime here: (including Remixes by Solomun, Alican and many many more): http://ift.tt/2xqCOzJ

Anything Anytime is a also a part of DJ Hell’s New Album “Zukunftsmusik”:
http://ift.tt/2xq6L2J

For Vinyl or CD ask your local record Dealer or visit deejay.de or decks.de.

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Friday, October 06, 2017

"My friend told me a story he hadn’t told anyone for years. When he used to tell it years ago people..."

“My friend told me a story he hadn’t told anyone for years. When he used to tell it years ago people would laugh and say, ‘Who’d believe that? How can that be true? That’s daft.’ So he didn’t tell it again for ages. But for some reason, last night, he knew it would be just the kind of story I would love.

When he was a kid, he said, they didn’t use the word autism, they just said ‘shy’, or ‘isn’t very good at being around strangers or lots of people.’ But that’s what he was, and is, and he doesn’t mind telling anyone. It’s just a matter of fact with him, and sometimes it makes him sound a little and act different, but that’s okay.

Anyway, when he was a kid it was the middle of the 1980s and they were still saying ‘shy’ or ‘withdrawn’ rather than ‘autistic’. He went to London with his mother to see a special screening of a new film he really loved. He must have won a competition or something, I think. Some of the details he can’t quite remember, but he thinks it must have been London they went to, and the film…! Well, the film is one of my all-time favourites, too. It’s a dark, mysterious fantasy movie. Every single frame is crammed with puppets and goblins. There are silly songs and a goblin king who wears clingy silver tights and who kidnaps a baby and this is what kickstarts the whole adventure.

It was ‘Labyrinth’, of course, and the star was David Bowie, and he was there to meet the children who had come to see this special screening.

‘I met David Bowie once,’ was the thing that my friend said, that caught my attention.

‘You did? When was this?’ I was amazed, and surprised, too, at the casual way he brought this revelation out. Almost anyone else I know would have told the tale a million times already.

He seemed surprised I would want to know, and he told me the whole thing, all out of order, and I eked the details out of him.

He told the story as if it was he’d been on an adventure back then, and he wasn’t quite allowed to tell the story. Like there was a pact, or a magic spell surrounding it. As if something profound and peculiar would occur if he broke the confidence.

It was thirty years ago and all us kids who’d loved Labyrinth then, and who still love it now, are all middle-aged. Saddest of all, the Goblin King is dead. Does the magic still exist?

I asked him what happened on his adventure.

‘I was withdrawn, more withdrawn than the other kids. We all got a signed poster. Because I was so shy, they put me in a separate room, to one side, and so I got to meet him alone. He’d heard I was shy and it was his idea. He spent thirty minutes with me.

‘He gave me this mask. This one. Look.

‘He said: ‘This is an invisible mask, you see?

‘He took it off his own face and looked around like he was scared and uncomfortable all of a sudden. He passed me his invisible mask. ‘Put it on,’ he told me. ‘It’s magic.’

‘And so I did.

‘Then he told me, ‘I always feel afraid, just the same as you. But I wear this mask every single day. And it doesn’t take the fear away, but it makes it feel a bit better. I feel brave enough then to face the whole world and all the people. And now you will, too.

‘I sat there in his magic mask, looking through the eyes at David Bowie and it was true, I did feel better.

‘Then I watched as he made another magic mask. He spun it out of thin air, out of nothing at all. He finished it and smiled and then he put it on. And he looked so relieved and pleased. He smiled at me.

‘'Now we’ve both got invisible masks. We can both see through them perfectly well and no one would know we’re even wearing them,’ he said.

‘So, I felt incredibly comfortable. It was the first time I felt safe in my whole life.

‘It was magic. He was a wizard. He was a goblin king, grinning at me.

‘I still keep the mask, of course. This is it, now. Look.’

I kept asking my friend questions, amazed by his story. I loved it and wanted all the details. How many other kids? Did they have puppets from the film there, as well? What was David Bowie wearing? I imagined him in his lilac suit from Live Aid. Or maybe he was dressed as the Goblin King in lacy ruffles and cobwebs and glitter.

What was the last thing he said to you, when you had to say goodbye?

‘David Bowie said, ‘I’m always afraid as well. But this is how you can feel brave in the world.’ And then it was over. I’ve never forgotten it. And years later I cried when I heard he had passed.’

My friend was surprised I was delighted by this tale.

‘The normal reaction is: that’s just a stupid story. Fancy believing in an invisible mask.’

But I do. I really believe in it.

And it’s the best story I’ve heard all year.”

- Paul Magrs (via yourfluffiestnightmare)

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