VAMPS - Tofel Santana by Angello Faccini
via Tumblr http://ift.tt/2bYfH5X
Having thus excluded conversation and desisted from study, he had neither business nor amusement. His ideas, therefore, being neither renovated by discourse nor increased by reading, wore gradually away, till at last his anger congealed into madness.
VAMPS - Tofel Santana by Angello Faccini
VAMPS - Tofel Santana by Angello Faccini
VAMPS - Tofel Santana from Angello Faccini on Vimeo.
“A neon-drenched tale of teenage nihilism for the German rapper”
Director: Leo Adef
Cinematographer: Angello Faccini
Art director: Jorge Algaba
Stylist: Eus Cantó
Head of production: María Carboni
H&M: Regina Khanipova
Color grading: Yulia BulashenkoBarcelona, 2016
‘Mater sammich redux. Now with 100% more pesto! (at Chez Stella)
How many ‘mater sammiches have you nommed today? (at Chez Stella)
Tom sandy 2.0. The pigination. (at Chez Stella)
“A Place to Call Home” - Season 4 Trailer
I’M FUCKING SCREAMINGGGGGGGG!!!! YASSSSSS!!!!
We Together by American Painkillers
The Was, 2016 from Soda_Jerk on Vimeo.
Soda_Jerk vs The Avalanches
with Chris Hopkins & Al Smithee
We Together by American Painkillers
We Together from American Painkillers on Vimeo.
“A zombie is awakened.”
Short film by Henry Kaplan featuring music by Kerron Hurd.
Featured on Short of the Week!
(http://ift.tt/2apwgeu)Read about the making-of on Director’s Notes!
(http://ift.tt/2b2zSj6)Director: Henry Kaplan (henrykaplan.com)
Composer: Kerron Hurd (kerronhurd.bandcamp.com)
Starring: Martel Rudd, Kristopher McAfee
Producers: Nash Cubero (nashbox.co), Ben Kuller (benkuller.com)
Choreographer: Derek Nemechek (instagram.com/dr0q/)
Director of Photography: Chris Ripley (christopherripley.com)
Production Designer: Eloise Ayala (eloiseayala.com)
Wardrobe Stylist: Melissa Sack (melissasack.com)
Digital VFX Artist: Matthew Wauhkonen
Sound Designer: Samuel Plattner
Key Makeup/SFX Artists: Carmen Wilson (gore-geous.com), Eric Fox / MORBX FX (http://ift.tt/2apvBd3)
Co-Producer: Elizabeth Litvitskiy
1st AD: Caillin Puente
Art Director: Rebecca Tendick
1st AC: Megan McCarthy Johnson and Alex Sherman
Gaffer: Greg Loebell
Key Grip: Genevieve Evans
Grip: Erik Schneider
Makeup/SFX Artist: Kurt Ewell
2nd Unit Gaffer: Genevieve Evans
2nd Unit Key Grip: Austin Lewis
Makeup Artist: Cindy Zamora
Makeup/SFX Assistants: Ralph Balding, Ivan Gonzalez, Mike Bui
PAs: Jeff Kasanoff, Dan Fuchs, Cicily Clare Gruber, Zac Cavaliero
Camera PA: Harry Hunter, Evan Gooden
G&E PA: Peter CramerCAST:
Crystal Bush
Ben Cendejas
Jarnael Dabney
Chris Davis
Naomi Dela Cruz
Jack Derby
Angela Dobson
Emily Donn
Neyssan Felahi
Gregory Gordon
Kelly Leon Guerrero
Conrad Haynes
Maegan Houang
Anna Huckabay
David Jankowski
Gerson Martinez
Dewana Murrey
Red Runyon
Darryl Sanders
Derrick Tuggle
Brendan Takash
Kaelynn WangSpecial Thanks:
Ashlee Cohen
Hey Baby Films
Riverside County Film Commission
Stephanie Stethem
Bettina Breckenfeld
Maegan Houang
Dodger Kaplan-HouangAn American Painkillers production in association with We Make Movies
Skill lyfe (at Town Run Brewing Company)
Silk purse. (at Town Run Brewing Company)
Koka’s Propeller Trinity by nikoladze
Who’s got two thumbs and been gobbling Swedish meatballs all-damn-day?
Koka’s Beat Machine No. 2 by nikoladze
Koka’s Soundtrack Box No. 1 by nikoladze
Koka’s Propeller Trinity by nikoladze
Koka’s Beat Machine No. 2 by nikoladze
Koka’s Soundtrack Box No. 1 by nikoladze
Koka’s Propeller Trinity from nikoladze on Vimeo.
A rotary magnetic bow is designed and produced by Koka Nikoladze for extending string and percussion instruments.
Koka’s Beat Machine No. 2 from nikoladze on Vimeo.
Koka’s beat machines are electromechanical musical instruments, which are programmable and produce different kinds of rhythmic and melodic patterns.
Koka’s Soundtrack Box No. 1 from nikoladze on Vimeo.
Soundtrack Box No. 1 was made to produce music for a feature film.
It provided me with just as many limitations and possibilities, as I needed in order to be fully comfortable in the creative process. This video briefly demonstrates some of its capabilities. The soundtrack itself has of course more musical value.
I often have to convince my friends that the box has its own reverb and no additional effects are used. There’s just an extension spring inside the box and a little contact microphone attached to it.
Now I’ve decided to make a new box for every film I’m asked to compose for in the future! Soundtrack boxes are fun!
The Cure - Live In Orange (1986) by UNKNOWN PLEASURES RECORDS
The Cure - Live In Orange (1986) by UNKNOWN PLEASURES RECORDS
The Cure - Live In Orange (1986) from UNKNOWN PLEASURES RECORDS on Vimeo.
Tracklist:
Introduction
Shake Dog Shake
Piggy in the Mirror
Play for Today
A Strange Day
Primary
Kyoto Song
Charlotte Sometimes
In Between Days
The Walk
A Night Like This
Push
One Hundred Years
A Forest
Sinking
Close to Me
Let’s Go to Bed
Six Different Ways
Three Imaginary Boys
Boys Don’t Cry
Faith
Give Me It
10.15 Saturday Night
Killing an Arab
Checking Netflix’s Gay and Lesbian section is like checking the fridge when you know damn well that there isn’t anything there.